The new media and globalisation
Start here — the new media is the engine of cultural globalisation, and this link earns synoptic marks.
The new media — the internet, social media, streaming and smartphones — is digital, interactive, convergent and built on user-generated content. Above all it is global: content crosses borders instantly. This makes it a key driver of globalisation.
- Instant global communication. People, businesses and movements can communicate across the world in real time, regardless of distance.
- Time-space compression (Harvey) — the new media shrinks the importance of distance and time, so events and ideas spread almost instantly across the globe.
- The spread of global culture and global news. Music, film, trends, brands and breaking news circulate worldwide, contributing to a partly shared global culture.
- Enabling global markets and transnational networks. E-commerce, online platforms and global supply chains depend on the new media; so do global social movements and diaspora communities.
The link to the Globalisation section: this is where you can be synoptic. Optimists see the new media spreading culture and opportunity worldwide. But there is a debate:
- Cultural homogenisation — critics argue the new media spreads a single, often Western or US-dominated culture (cultural imperialism), eroding local cultures.
- Glocalisation (Robertson) — others argue global content is adapted and blended with local cultures, so the result is hybrid, not uniform.
So the new media globalises, but whether that means a flattening of cultures (homogenisation) or a creative blend (glocalisation) is itself contested.
- New media drives globalisation: instant communication, time-space compression (Harvey).
- It spreads global culture and global news, and enables global markets and networks.
- Debate: cultural homogenisation/imperialism vs glocalisation (Robertson — hybrid cultures).
- Link to the Globalisation section for synoptic depth.